
17.
Select the warp tool in the toolbox. Click and hold on the width
tool icon, and then select the warp tool from the fl yout menu, as
demonstrated in Figure 7-50. Or press the keyboard shortcut,
Shift+R. The warp tool is the fi rst of Illustrator’s seven liquify
tools (the width tool is not one of them), which allow you to
paint distortions into selected paths. While I only rarely use
them to adjust path outlines, the liquify tools can be exceed-
ingly useful for modifying a gradient mesh.
18.
Adjust the warp tool settings. By default, the warp brush is 100
pixels in diameter, too small for our purposes. To enlarge the
brush, double-click the warp tool icon in the toolbox. Inside
the Warp Tool Options dialog box, change both the Width and
Height values to 250 pixels. Then click OK.
Another way to change the brush size is to press the Alt key (Option on
the Mac) and drag in the document window. Drag up or right to enlarge
the brush, and down or left to reduce it. I say or because you can scale
the width and height of the brush independently. To maintain a circular
brush, press and hold Shift as you drag.
19.
Brush inside the mesh. If nothing is selected, the warp tool
acts on all unlocked objects; otherwise, the warp tool affects
just the selection. So check the Layers panel to make sure the
<Mesh> item is selected (with the
meatball). This prevents
you from messing up the clipping ...