
tal domain. And lest you think such artwork is rare or
refi ned, think again. We all see Illustrator artwork on
a daily basis. Just about every corporate logo in use
today has passed through Illustrator. Nearly every bag,
carton, or container you see at the grocery store comes
to you from Illustrator. Buying a new toy, computer, or
piece of sporting equipment? That box was most likely
designed in Illustrator. Movie posters, glossy magazine
ads, schoolbook illustrations, architectural renderings,
stamps, decals, DVD and CD cases, billboards, transit
signs, retail signage, bumper stickers, credit cards, gift
certifi cates, crap you get from McDonald’s, fragments
of screaming paper and colorful plastic buried in land-
fi lls the world over—in short, virtually every ounce of
still, single-page graphic commerce and public-service
labeling is to some extent a by-product of Illustrator
(see Figure 1-3). For better or for worse, Illustrator art-
work surrounds you.
Illustration versus Image
Illustrator’s main purpose is to create line art. Each
line, shape, and character of text is independent of its
neighbors. These independent elements are known as
objects. Illustrator describes each object using a basic
coordinate-based mathematical equation. (Fortunately,
Illustrator doesn’t assail you with this math; it calculates the
equations in the background.) Because these equations describe
the ...