
Figure 4-55) is one of the most useful type tools in all of Il-
lustrator because it gives you access to every character a font
has to offer. (You can bring up the Glyphs panel by choosing
Type➝ Glyphs.) The and icons decrease and increase the
size of the character previews; the pop-up menus at the bottom
allow you to choose the font and style to view. A small icon
in the lower-right corner indicates that alternates are available
for that character. Simply double-click a glyph to insert it (as-
suming the text tool is active).
I want to insert a second ornament in the byline to match the
fi rst. With the type tool, click at the end of the byline to set
the insertion point. (Be sure to include the trailing space.) The
ornament is from Adobe Garamond Pro Italic; change the font
at the bottom of the Glyphs panel to Adobe Garamond Pro and
the Style to Italic. Scroll all the way to the bottom to fi nd the
glyph highlighted in Figure 4-55, and double-click to insert it.
And with that, you’ve wrapped up your tour de force of text format-
ting in Illustrator; Figure 4-56 shows the fruits of your labor. You’ve
made it through quite a bit of information in just a few exercises,
but my hope is that this lesson leaves you well-prepared to delve
into the meticulous yet rewarding craft that is typesetting.
Figure 4-54 .
P E A R L O F W I S D O M
The options for ordinals, fractions, and ...