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PATHFINDER OPERATIONS
PRIMITIVES, as you learned in Lesson 2, are the building
blocks of all illustrations, but sometimes such simple objects can’t
accurately represent your work. The alternative—drawing com-
plex shapes by hand with the pen tool—can be tedious and time-
consuming. Fortunately, Illustrator provides a shortcut: pathfi nder
operations. Pathfi nders allow you to quickly combine simple objects
to create more complex ones, as shown in Figure 6-1. A line plus an
ellipse is a musical note. Two circles next to each other and a tri-
angle below become a valentine. A circle minus a smaller, offset
circle becomes a crescent moon. A door, some drywall, and a
couple of windows—not to mention some electrical, plumbing,
heating, AC, roofi ng, and a really big loan—make a
house. These are all pathfi nder operations (well, except
for the house), and they’re amazing timesavers, one
and all. To get a sense of how they work, keep reading.
Compound Paths versus
Compound Shapes
The pathfi nder joins shapes in a few ways, each with
their own level of permanence. By default, the path-
fi nder will simply perform the operation and perma-
nently alter the target path; this change is irrevocable,
short of an undo command. A compound path is two or more sub-
paths that merge to form a single path—hence it appears as a single
object in the Layers panel. You can move one subpath independently
of ...