
31. Change the direction of the gradient to vertical. Press
the G key to switch to the gradient tool. Illustrator will
display a horizontal gradient annotator in the document
window. Now draw a vertical line (press the Shift key
as you do) from Sam’s elbow down to the bottom of the
white edge of the keyboard. The aftermath, complete
with annotator and fading piano, appears in Figure 8-27.
32. Save your changes. Press the V key to select the black
arrow tool. Switch back to the Transparency panel and
click the fi rst thumbnail, the one that looks like the
spine of a piano, to return focus to the illustration. Press
Ctrl+Shift+A (-Shift-A) to deselect everything. And then
choose File→Save As or press Ctrl+Shift+S (-Shift-S) to
save your most recent changes without overwriting your
last ones. Name this fi le “Opacity masks fi nal.ai,” and
click the Save button.
Opacity masks permit you to employ any of Illustrator’s tools
in the name of modifying the transparency of a path, group,
blend, or layer. Use the blob brush to paint holes. Use gra-
dients and blends to produce soft transitions. You can even
use editable text to cut character-shaped holes or house ob-
jects inside letters. Opacity masks are beyond PostScript,
but they’re well within PDF and as fl exible as the day is long.
Applying Blend Modes
Witnessed back in Figure 8-1 (page 243), blend modes are
methods for mixing