
Glyph Sets
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Glyph sets necessarily evolve, usually due to new or expanded character set standards on
which they are based. Sometimes, changes to or expansion of glyph sets is due to Ta ro’s
Law.
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Static Versus Dynamic Glyph Sets
Now that we have described today’s most widely used font formats, it is clearly useful to
write about the distinction between static and dynamic glyph sets. Today’s fonts gener-
ally dier as to whether their glyph sets are static or dynamic, and can be described as
follows:
A static glyph set
Based on a standard, meaning that any font that is based on a static glyph set is pre-
dictable and stable. Static glyph sets are advantageous when building large volumes of
fonts. e development and testing of such fonts is greatly simplied, in my opinion
and experience.
A dynamic glyph set
Allows font developers to add new glyphs on a whim.
TrueType fonts, by denition, are based on dynamic glyph sets. OpenType fonts can be
either. OpenType fonts with name-keyed ‘CFF’ tables are based on dynamic glyph sets.
Only CID-keyed fonts, including CID-keyed ‘CFF’ tables, are based on static glyph sets.
e concept of “character collection,” as used by CID-keyed fonts, is a real-world imple-
mentation of static glyph sets. Interestingly, and as you will learn in this chapter, it is
possible to build OpenType fonts with CID-keyed ‘CFF’ tables that are based on dynamic