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CJKV Information Processing, 2nd Edition
book

CJKV Information Processing, 2nd Edition

by Ken Lunde
December 2008
Intermediate to advanced
912 pages
33h 22m
English
O'Reilly Media, Inc.
Content preview from CJKV Information Processing, 2nd Edition
Multilingual Typography
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517
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1000×1000 character design spaceFigure 7-1.
Other type foundries, however, oen use a dierent design space for CJKV-specic
glyphs. 0,−200 to 1000,800 has been widely used by many CJKV type foundries, such as
Changzhou SinoType Technology, Seoul Systems, SoMagic, and Yoon Design Institute. I
have also encountered font data that used the following design spaces:
0,−110 to 1000,890—Monotype Imaging•
0,−130 to 1000,870—EulHae•
0,−160 to 1000,840—Fontworks•
0,−166 to 1000,834—Hanyang Information & Communications•
High-end, page-layout applications, such as Adobe InDesign, automatically calculate the
ideographic em-box of all fonts so that glyphs will be placed correctly relative to one an-
other on the line, and on a character grid. Such applications also allow the user to adjust
the baseline and size ratios in order to better adapt Latin fonts for use with CJKV charac-
ters, which is done in the context of dening composite fonts.
So, when does a dierent baseline adversely aect typography? When mixing fonts whose
glyphs are set in dierent design spaces. is is when it is critical that an OpenType font
includes a well-specied ‘BASE’ table that explicitly species the relative position of design
space. Without a well-specied ‘BASE’ table, applications are forced to use heuristics.
Proper Spacing of Latin and CJKV Characters ...
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Publisher Resources

ISBN: 9780596156114Errata Page