
that Sun’s methods and processes are in fact like those of col-
laborative artists. To do this, we move from the hive of cubicles
in Silicon Valley and the office complexes of Detroit to the old
public library building in Malvern, Pennsylvania.
We enter a big room, full of light from tall windows on three
sides, cluttered with odds and ends of furniture, the shiny old
floor marked with stripes of colored adhesive tape. At one side
sits a desk. At the desk are the play’s director with a yellow legal
pad and a cup full of pens, the stage manager with her kit of
emergency supplies and a copy of the script, and the assistant
stage manager with her script ...