
and musical accompaniment, and think about ways to light it
all. Since they work with physical things, these artists and arti-
sans must make closure on their ideas in time to find, borrow,
buy, rent, or construct them. The things they make become
part of the rehearsal’s given circumstances; they’re set early on
and can be changed only at great expense and difficulty. The
different design elements are interdependent with each other
and with the play-to-be as a whole. For instance, the set
designer has chosen a color for the walls of the room, and the
costumer has used this color in her palette for the clothing.
Then the prop master discovers a gorgeous ...