
built on and included as material. Lee once watched a design-
er at work whose uncanny prowess made clear the connection
between past exploration (practice) and Release:
The designer stood in the middle of a huge piece of muslin,
the backdrop curtain for an opera. He had a small drawing in
his hand, a cartoon, with a grid of squares lightly penciled
over it. The cartoon represented the city skyline he was to
paint on this enormous area. He had a piece of chalk jammed
in the end of a four-foot-long bamboo stick; he could draw on
the floor without bending over. Looking at the cartoon, he
positioned himself in the middle of the drop, put the chalk on
the ...