November 2017
Beginner to intermediate
208 pages
5h 11m
English

Once we get the proper exposure, I generally darken the entire scene, either by 1 or 2 f-stops (or sometimes even more around sunset). So, let’s say, for example, you’re doing a corporate portrait with an office environment in the background, and when you moved your f-stop, so the meter was all centered up (as we did on the previous page), your f-stop for a proper exposure wound up being f/8. Well, to darken the scene, you would move your f-stop to a higher number, like f/11, or maybe even f/16 if you’re outdoors. That darkens the entire scene you’re standing in front of, so what winds up lighting ...
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